ABOUT OUR STAFF
BIO - BANAPHSHU
is a native of Anaphoria and the daughter of Tollan, the maker of the
great
mystical clock of Aal. Her mother is Daena, one of Anaphoria's most
famous
poetess/singers. She is recognized as one of the great storytellers of
her country. Her collections of folklore are acclaimed for their
historical
preservation of near extinct relics as well as their diversity in her
persistence
in leaving no stone unturned. Her work in the US has caused her to
investigate
the possible influence of ancient native American cosmology upon
Anaphorian
myths.
BIO -ERIN
BARNES received her Bachelor of Fine Arts degree in Music from
California Institute of the Arts, where she studied classical percussion as
well as the percussive traditions of India, Ghana, and Indonesia. Dedicated
to playing only music that she truly loves, Ms. Barnes frequently performs
the music of Steve Reich and microtonal composers Harry Partch and Kraig
Grady. Additionally, having strong interests in both classical and folk
music from around the world, she is studying the cello and tekero (Hungarian
hurdy-gurdy), and is a member of the Javanese gamelan, Kyai Doro Dasih. Erin
has performed at the Edinburgh Festival, Southwest Chamber Music’s concert
series, Percussive Arts Society International Convention, and Microfest, the
Los Angeles festival of microtonal music.
BIO - ROGER
MEXICO
is the son of a bush pilot who was stationed in Anaphoria for 34 years.
After becoming an M.D., Roger heroically skydived into some of the
remotest
Anaphorian back country to selflessly deliver much needed supplies. The
result was his learning regional shamanistic medical practices, which
he
has subsequently used in augmenting the limitations of his traditional
western practice. He has been awarded his country's highest civilian
award,
the cross of Aunan. For money, he works as an actor/puppeteer and a
musician.
BIO - KRAIG
GRADY has presented his work at the Norton Simon Museum of Art,
the UCLA Armand Hammer Museum,
the Pacific Asia Museum, the Chateau de la Napoule - France, California
Institute of the Arts, Pomona College, Pierce College, Villa Aurora
Foundation
for European American Relations, the Schindler House, Beyond Baroque,
the
Brand Library, New Langton Arts, as well as numerous live performances
on KPFK, KCRW, and KXLU. His work was also presented as part of the LA
Philharmonic's American Music Weekend as well as New Music America. He
has been nominated 4 times for the L. A. WEEKLY Music Award best
uncategorizable
artist and was chosen by BUZZ Magazine as one of the 100 coolest
persons
in Los Angeles.
Born
in Montebello, Ca. While still in his
teens,
he realized he had an overwhelming urge to be a composer. After studies
with Nickolas Slonimsky, Dean Drumond, Dorrance Stalvey (all briefly)
and
Byong-Kon Kim (longer) he produced his earliest compositions. Since
meeting
Erv Wilson in 1975, he has composed and performed in alternative
tunings
of Wilson's. In the 80's Kraig Grady (along with Keith Barefoot) became
one of the first to revive the combination of live music with silent
film.
He was responsible for the films as well as the music. In 1990 with the
opera "War and Pieces" film retreated to a background for live
performers.
Soon afterwards was his first exposure to the music of Anaphoria Island
where he took up residence, on and off, for a period of three years. On
his return he found himself being asked to act as a liaison between
Anaphoria
and North America. In this role he has produced numerous solo and
ensemble
works and ten shadow plays; TEN BLACK EYE I & II, BLACK EYE MERU,
HER
STIRRING STONE, THEIR VENTURES BEYOND THE HORIZONS, THE STOLEN
STARS, FRENZY AT THE ROYAL THRESHOLD, THE QUIET EROW,
THE PILGRIMAGE OF MIRRORS, and THE FOLLIES OF DR. PLACEBO.
Interview
by Brian Harlan/Corporeal Meadows
L.A.
Weekly Article by Greg Burk 12/7/00
CLOCKS AND CLOUDS DUO- Kraig Grady/ Terumi Narushima. 1/4 inch/Corroded Memories 2.1.
FCA Gallery, University of Wollongong. NSW Australia 10 April, 2008
Serial Space, Chippendale, Sydney, 24 April, 2008
CLOCKS AND CLOUDS DUO- Kraig Grady/ Terumi Narushima. Wank festival. University of Wollongong 1 April, 2008
CLOCKS AND CLOUDS DUO- Kraig Grady/ Terumi Narushima. White Hole Audio. Project Gallery. Wollongong 14 Dec.2007
ZEPHYROS pt.1 & 2-Solo Vibraphone. Interface Festival. Ballhaus Naunyn. Berlin, Germany 29 Sept 2007
ZEPHYROS pt.1 & 2-Solo Vibraphone. Dangerous Curve Gallery. Los Angeles. 13 July. 2007
THE FOLLIES OF DR. PLACEBO-Shadow Play. The Folly Bowl Altadena, Calif. May 26-27, 2007
ZEPHYROS pt.1-Solo Vibraphone. Music for the Equinox. The Folly Bowl Altadena, September 23, 2006
PILGRIMAGE OF MIRRORS-Shadow play. The Folly Bowl Altadena, May 27-28, 2006
The Found Theater. June 17-18, 24-25. Long Beach
CHAMBER WORKS RETROSPECTIVE- Performed by Nuclear Family and co.
Cafe Metropol. March 17, 2006
LIVE IMPROVISATION to the 1918 silent film The Blue Bird
with Steve Roden, Jeffrey Roden, Glenn Bach, and Jacob Danziger,
Sunday, March 7, 2006, Otis College of Art and Design, Los Angeles.
VIBROPHONE SOLO- Ctrl+Alt+Repeat Evening of Experimental Music.
Feb 18, 2006. Inmo Gallery, Los Angeles
GENDHING NAMASTE Performance by the Nuclear Family (for Meta-Slendro Orchestra), Barnsdall Gallery Theater.
November 18, 2005
THINGAMAJIG FESTIVAL, Metro Theater, Oakland. May 28, 2005
THE QUIET EROW (shadow play), New Langton Arts, San Francisco. May 13 -14 2005
Folly Bowl, Altadena. May 21 -22 2005
ORENDA (for three vibraphones), Metro Gallery, Pasadena. April 30, 2005
THE FLOWER OF THE SEASON music with Butoh, Beyond Baroque, Venice. October 29, 2004
THE BUNDLE. Collaborative Performance Art and Music. Dangerous Curve, Los Angeles.
September 11, 2004
DUET FOR 2 VIBRAPHONES. Earjam IV, REDCAT, Los Angeles. June 19, 2005
FRENZY AT THE ROYAL THRESHOLD (shadow play), Pacific Asia Museum, Pasadena. May 15-16, 2004
PIECE FOR VIBRAPHONE. Sound Rewound: Celebrating 20 years of music at The Lab,
San Francisco. Feburary.18, 2004
FRENZY AT THE ROYAL THRESHOLD (shadow play), Norton Simon Museum of Art, Pasadena. October 24, 2003
THE STOLEN STARS (shadow play), Black Cat Gallery, Culver City. May 23-25, 31-June 1, 2003
IN THE WAKE OF L.H. Pomona College, Claremont. May 13, 2003
LINE SPACE LINE FESTIVAL Salvation Theater, Hollywood. April 11, 2003
THEIR VENTURES UPON THE HORIZONS (shadow play), Pacific Asia Museum, Pasadena. May 16, 2002
DUOS FOR VIBRAPHONES UCLA Hammer Museum, Westwood. May 9, 2002
WORLD OUT OF TUNE FESTIVAL Highland Grounds, Hollywood. May 4, 2002
COLD FRAGMENTS Pomona College, Claremont May 10, 2002
MIRCOHOOT: FESTIVAL OF MICROTONAL MUSIC Multiple performances and
lectures over 3 days. El Paso, Texas. November 1-3, 2001.
CLOSING CEREMONY FOR A SHADOW PLAY World Out-Of-Tune Festival, Schindler House, West Hollywood. May 20, 2001
HER STIRRING STONE (shadow play) HollyMatter Art Gallery, Los Angeles. May 4 & 5, 2001
OPENING INVOCATION FOR A SHADOW PLAY Microfest 2001 Conference, Pomona College, Claremont . April 7, 2001
MANDALA II Beyond Baroque Music festival, Beyond Baroque, Venice. July 28, 2000
MANDALA and OSTAELO Performed as part of "SOUND", Schindler House, West Hollywood June 17, 2000
ALICE BEHIND THE BROKEN LOOKING GLASS and OSTAELO Microfest 2000, Brand Library, Glendale. May 14, 2000
THREE THEMES Microfest 2000, Pomona College, Claremont. May 5, 2000
BLACK EYE MERU (shadow play) Performed as part of Beyond 440 Hertz,
Villa Aurora, Foundation For European-American Relations, Pacific
Palisades. September 24,1999
GENDING APTOS and KOLABROS Microfest 3, Brand Library, Glendale. May 14,1999
KOLABROS Microfest 3, Pierce College, Woodland Hills. May 9, 1999
BLACK EYE MERU (shadow play in progress) Glaxa Studios, Los Angeles. October 25,1998
Lecture (afternoon) with (evening) performance of CREATION OF THE
WORLDS (ensemble composition), P.A.S.I.C. (Percussive Arts Society
International Convention) Disneyland Hotel, Anaheim. November 19, 1997
TEN BLACK EYE II (shadow play) Pacific Asia Museum, Pasadena. November 8, 1997
MASLUSADA Microfest, Pierce College, Woodland hills. March 8, 1997
TEN BLACK EYE (shadow play) Stella Adler Studios, Hollywood. Presented by LACE. October 27, 1996
MUSIC FROM ANAPHORIA ISLAND- Six Ensemble Pieces, Pacific Asia Museum, Pasadena. December 11, 1993
TALES FROM THE MESOCOSM Orange/Sardines Studio, Highland Park. April 19, 1992
WAR AND PIECES: A CHAMBER OPERA OF FUTURE NOSTALGIA Stage
Version: LACE March 31-April 1, 1990. Radio Version: KPFK
Imaginary Landscape, live, October 25, 1989
SYMPHONY FOR A THOUSAND HOURS WITHOUT ORCHESTRA Ra's Flower Shop, Hollywood. April 15, 1991
MYSTERY WITHOUT CLEWS Silent rear-projected film with ensemble and narration
Oranges/Sardines Studio, Highland Park. Easter, 1992
West Hollywood Auditorium (presented by the Visual Music Alliance). May 24, 1989
UC Santa Cruz. April 23-24, 1989
LONG GUNN BUT NOT FORGOTTEN Silent Film/Live Music.
New Langton Arts, San Francisco. March 12, 1988
Betty Freeman Residence, Los Angeles. March 7, 1988
LACE, Hollywood. April 1-4, 1987
COMMERCIAL FOR A WESTERN for narrator and chamber orchestra. Performed
by USC Chamber Orchestra, Don Crockett, conductor. New Music L.A.,
Japan American Theatre, Los Angeles. March 1, 1986
EVE WITHOUT APPLES Silent Films/Live Music
The Lab, San Francisco. November 17-18 1987
New Music America, Los Angeles. November 1, 1985 (excerpt shown on French TV)
Los Angeles Philharmonic’s American Music Weekend. November 24-25, 1984
EMBRYO WITHOUT TEARS Silent Film/Live Music
The Lab, San Francisco. November 17-18 1987
Los Angeles Philharmonic’s American Music Weekend. November 24-25, 1984
The House, Santa Monica. October 23, 1983
Composer-in-residence, La Napoule Art Foundation. La Napoule, France. March-June 1988
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